Research outputs that do not take the form of scholarly published books, book chapters, journal articles or conference publications are referred to as non-traditional research outputs (NTROs).
They differ from standard non-traditional works because they expressly contain and communicate original research findings. In other words, a documentary or musical composition that is an NTRO would, in some way, differ from a documentary or musical composition that is not an NTRO because it has a clear and substantial research component.
Basic requirements
The prospective NTRO must have been made publicly available in some form.
The authors must be clearly credited.
The UTS byline must be prominent and complete (University of Technology Sydney, unit or faculty name, street address).
Unless not technically possible, there must be one or more digital files that are the publicly available output itself, a definitive version of the output, or a representation of the NTRO that facilitates the assessment of its research content.
A research statement must be provided for all types except Research Reports for an External Body; the research statement for portfolios of NTROs covers all the individual NTROs that make up the portfolio rather than submitting a separate research statement for each NTRO.
Indicators to consider to show your impact include:
See examples of each kind of NTRO below and ideas for evidence that can help add to your impact narrative.
Examples are paintings, photos, sculptures, installations, diagrams, maps and crafts.
Impact evidence could include:
Examples are building and design projects, as well as digital outputs of architectural and design projects.
Impact evidence could include:
Examples are novels, play scripts, art reviews, poems, essays, short stories and design reviews.
Impact evidence could include:
Examples are original scores, notated/re-interpreted scores, and audio compositions.
Impact evidence could include:
Examples are performances of a new work, repertoire, or music developed in partnership with the composer.
Impact evidence could include:
Examples are performances of a new work or repertoire.
Impact evidence could include:
Examples are recorded performances of a new work or repertoire.
Impact evidence could include:
Examples are the use of innovative production techniques in films, documentaries, video-based podcasts, moving or still image-based or screen-based work, or audio-visual presentations.
Impact evidence could include:
Examples are 3D or multidimensional models, creative and interactive computer applications, digital games/apps and computer programs.
Impact evidence could include:
Examples are web-featured work and online/digital works incorporating new presentation techniques and approaches in online media or platforms.
Impact evidence could include:
Curating or producing creative works or artefacts exhibited in a recognised gallery, museum or similar venue; showing new works or a new interpretation/arrangement of works exhibited previously; exploring a new, innovative or significant thesis; or making a substantial declaration of historical, cultural or theoretical principles.
Impact evidence could include:
The curation of a festival brings together creative works or artefacts and live performances to present new works in an innovative way, present a new interpretation/approach to works presented previously, or offer a theme that provides new perspectives and/or experiences.
Impact evidence could include:
Includes digital repositories, interactive or searchable databases, digital reference works, or digital archives.
Impact evidence could include:
Examples are a report, review, or document commissioned by a national or international government body or organisation.
Impact evidence could include:
Examples are a report or review undertaken for a company, industry organisation, industry peak body or an association.
Impact evidence could include:
Examples are a report or review undertaken for a discipline-recognised not-for-profit body, enterprise or organisation.
Impact evidence could include:
As seen above, NTRO forms and dissemination can vary widely which can make tracking evidence a challenge.
However, this can depend on how your NTRO is shared and whether or not there is a digital object identifier (DOI) attached to it.
Below are some suggested tools and platforms for tracking NTROs:
Contact Us